Simone Weil’s Blasphemy Against Popular Culture
When Steve Jobs died on October 5, 2011, there were numerous public outpourings of grief. Makeshift shrines dotted the globe. There is no doubt that his less-is-more technological aesthetic improved the technological and aesthetic experience of many people. When his engineers presented plans for a mouse with three buttons, he insisted that they pare them down to one. When other operating systems required users to memorize arcane codes to accomplish the most rudimentary tasks, he led a team to create a simple and visually engaging interface that has remained the industry standard. After his company seemed to be yesterday’s news and the mobile phone industry seemed immune to substantial innovation, he masterminded an entire genre of devices as powerful and versatile as they are compact. In short, Steve Jobs led his company to develop hardware that was beautiful and easy to use.
This is a bad thing. Here is why. We already live in an era defined by a shortage of time and an excess of distraction. Those of us affluent enough to own an iSomething – and yes, relative to the standards of the rest of the world, this is a mark of affluence – face an even greater degree of temptation. When you feel happy, it may be more tempting to share that information rather than embrace the fullness of that moment and that feeling, as the recent story of the distracted driver and ensuing car wreck illustrate.
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