One Step Away from Authentic Representation of Mental Illness?
A colleague asked what I thought of the representation of mental illness on Queen Charlotte: A Bridgerton Story (2023). Some people take casual questions casually. Six hours of Netflix, two hours watching interviews, and [however long it took me to write this blog post] later, I can state with utmost certitude: I am not one of those people.
Full confession: period melodrama is not usually my thing. I have seen zero Bridgerton (2020-present), of which Queen Charlotte is the prequel/sequel spin-off. To boot, this is my first venture into in Shondaland. And I am only one person. My own experiences of mental illness and of the mental healthcare system are not universal. I’m a part-time historian, but don’t give two flying flips if writers take liberties with the past when they write fiction. (Black German nobility in the 1700s? Natürlich!) Within those admitted limitations(?), my viewing of Queen Charlotte has left me feeling generally impressed and inspired, but with a profound sense of just how much work remains to be done for authentic and inclusive representation of mental illness.
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