Monthly Archives: April 2014

How I Chose My Dissertation Topic

A Series of Fortunate Events

After pontificating in my previous post about the process for selecting a dissertation topic in the humanities, I should clarify that my own process was far from straightforward. It was full of detours and unexpected surprises nothing short of serendipitous. At the same time, I had some significant work to do along the way.

“Serendipity doesn’t just happen,” a mentor once encouraged me. “You have to work for it.” I have been blessed beyond what I deserve. I don’t want to downplay that. But I have consistently striven to make the most of the opportunities I have been given – although in a few cases, opportunity had to knock a few times before I answered. I can’t take all the credit. I have received much help along the way.

I never would have written the book if I hadn’t known German. And I kept having more opportunities to learn German in spite of myself. In high school my language goal was to be proficient at French, but the exchange students I befriended happened to be German. Eager to travel, I couldn’t resist when they offered me a free place to stay for a few weeks and my parents offered to cover the airfare as a graduation gift. (I should add that this wasn’t really official until I received a generous college scholarship.) In preparation, as a senior in high school in the fall of 1996, I began learning German. I had space in my schedule. My high school did not offer it, but I got the green light to take courses at a nearby college for free.

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Choose Wisely

How to Select a Dissertation Topic in the Humanities

Whether you intend for it to or not, your dissertation will define your public identity as a junior scholar. You will devote at least a few years of your life to researching and writing it. You will become known or remain unknown in large measure by virtue of its quality. No pressure… but you do have a lot riding on that one piece of work. It had better be good. Here are some recommendations for setting yourself up for success by choosing the right topic.

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Autospection is not Introspection

Helping Students Look Critically Within

This is the Age of the Selfie. We live in an image-obsessed society. A significant slice of the global economy is driven by individuals’ hunger to appear better: better than those around them or at least better than their current selves; better in their own eyes and better in the eyes of others. By definition, “image” and “appearance” are superficial things, as opposed to identity and substance.

Many of my students are rich with self-esteem. They look at themselves. Engaging in this autospection – sorry, nothing to do with looking at cars – and they like what they see. Yet far fewer demonstrate significant evidence of introspection or its fruit, self-knowledge, whether in terms of the strengths and weaknesses of their character or their reasons for believing what they believe about Ultimate Things.

I take for granted that we should work in the classroom to cultivate self-knowledge. No community of faith, liberal arts educational institution, democracy, or marriage can thrive without individuals who understand themselves. This is not the only thing that matters in such contexts. But a reflective attitude towards ourselves is a useful tool and a helpful curb against hubris. True self-knowledge is the antithesis of self-worship, for it imbues its possessors with a keen awareness of their own limitations, including their fragility and fallibility.

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Easy on the Ego, Hard on the Soul

The Release of My First Book as a Crisis of Character

In a month or so, Mothering the Fatherland will hit the shelves. I received my own personal copy in the mail late last week. Despite my erstwhile dreams of becoming a novelist, my first book is a work of academic non-fiction (historical theology, to be precise). As a junior scholar still seeking a tenure-track position, a monograph from the top university press (Oxford) is a feather in my cap… and a thorn in my side.

I don’t want to sound ungrateful. This is a boon to my fledgling career. But I need to be honest about its impact on my soul. I have had the book in my possession for a few days and already I can see some of the ways that it will challenge my character. I contend that these issues threaten virtually all published authors, as well as many public artists, performers, and other creatives.

The struggle can go in one of two directions, with the option of frequent vacillation between the two: insecurity and vanity.

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